These women usually wear voluminous skirts, smocks, turbans, and colorful, beaded necklaces and are portrayed in sculptures throughout Salvador. Their craft was designated a cultural heritage of Brazil in 2005 by IPHAN (National Historical and Artistic Heritage Institute). Seven years later, the IPAC (Institute of Artistic and Cultural Heritage of Bahia) registered the work of the Baianas de Acarajé as an intangible heritage of Bahia.
The financially tenuous nature of the job (made worse by the ongoing COVID-19 pandemic), combined with an aging workforce, makes the future of the Baianas de Acarajé uncertain. However, intergenerational knowledge sharing, some government-funded initiatives, and the work of the Baianas de Acarajé Association have helped to strengthen and preserve this unique example of Brazilian culture.
West African slaves first brought acarajés to Brazil between the 16th and 19th centuries. In the new country, enslaved and manumitted women walked the streets selling acarajé. The name acarajé is composed of two words from the African Yoruba language — “akará,” meaning fireball, and “je,” to eat. In the Afro-Brazilian Candomblé religion, acarajé is a sacred food offered to Iansã, Xangô’s wife, both Candomblé deities known as orixás.
The Baianas’ craft is usually taught at home. An example is Dulce Mary de Jesus, age 50. The great-granddaughter of a Baiana de Acarajé, who displays her delicacies on social media, proudly says that she started going to the stand in "mainha’s belly,” “mainha” being an affectionate nickname given to mothers in Bahia.